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‘Isn’t It Romantic’ Review: Surprisingly Subversive Romantic Comedy
February 16, 2019The romantic comedy genre has recently been revived from the grave. Films like Crazy Rich Asians and Set It...
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‘Alita: Battle Angel’ Review: A Big-Budget Mess
February 15, 2019Pairing together the directorial talents of Sin City’s Robert Rodriguez with the vision of Avatar’s James Cameron as a producer, Alita:...
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‘The Prodigy’ Review: Strong Performances Bolster A Familiar Horror Tale
February 13, 2019The revival of Orion Pictures has been an under the radar story behind the scenes. The...
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‘The Man Who Killed Hitler and Then The Bigfoot’ Review: Sam Elliot Carries An Uneven Film
February 10, 2019A title like The Man Who Killed Hitler and Then The Bigfoot leaves a strong impression. While most...
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‘High Flying Bird’ Review: A Slam Dunk for Netflix
February 8, 2019Steven Soderbergh is one of the most accomplished directors in the industry, with a lot of...
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‘Cold Pursuit’ Review: Liam Neeson Stars in A Middling Dark Comedy
February 7, 2019Ever since he hunted down the men who kidnapped his daughter in Taken, Liam Neeson has successfully pivoted...
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‘Miss Bala’ Review: An Unnecessary and Terrible Remake
February 3, 2019Remakes are a dime a dozen in Hollywood today, with the track record being fairly mixed...
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‘Velvet Buzzsaw’ Review: An Inventive, Yet Shallow Critique of Art Culture
February 1, 2019Rarely before has a major Sundance film been readily available for the public as its appearing...
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‘Serenity’ Review: A Baffling, Yet Admirable Misfire
January 26, 2019January is a particularly desperate time at cineplexes, as aside from Glass and Escape Room, most movies are either leftovers...
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‘Polar’ Review: A Frustrating Missed Opprotunity
January 25, 2019The action genre, while certainly not in the prime of its popularity, has seen a revival...